Mid Century Modern Bathroom

The modern American house, with its interlaced spaces, functional zones and cubic forms, was developed in Europe by Le Corbusier and others, modified in America by the works of the Masters, and transformed into a new idiom through its regionalization.

The images of the “American house” were transmitted around the world, making it the modern model for the 1950s and 1960s.

An essential contribution to the genesis of the ‘American modern house’ idea was given by John Entenza -publisher of Art & Architecture- that in 1945 conceived the ‘Case Study Houses Program’ together with some of the most important post-war Californian architects.

The houses had to be an example of modern and inexpensive way of building and living for post-war modern families.

The first houses included in the program were built in wood -due to the shortage of industrial materials- and their dimensions were regulated by law.

Six of these economical houses were built in California by 1948; they set the scene for what was to follow when conventional industrialized products once again became available on the market.

An exceptional house using prefabricated components was built by the designers Charles and Ray Eames in 1945-1949 in Santa Monica, California.

The house is set back from the sea on a hilly site, amidst trees that filter the light into its interior. lt is a box that recalls the delicacy of a Japanese shoji screen, in this instance with a prefabricated framework of metal, filled in by transparent and opaque panels of varying sizes.

The interior space, with its double-height living area overlooked by the sleeping loft, employs the same vocabulary, and features furnishings such as the now famous Eames chair.

The Richard Neutra Kaufman Desert House in Palm Springs, also, set the rules for the typical mid century modern American Suburbian houses.

The house ‘landed’ -as Richard Neutra liked to say- with its green grass all around and the swimming pool, in a desertic landscape surrounded by hills and rocks. Its plan has the shape of a cross with each wing designed by Neutra to have their own view and access to open space.

ln addition to its seminal 1932 “lnternational Style” exhibition, the Museum of Modern Art in New York also staged other events that brought modern architecture to an American audience.

ln 1949, for example, it exhibited a model – essentially suburban – house by Marcel Breuer. The house had a V-shaped butterfly roof, like that of Le Corbusier’s project for the Errazuriz House (1930) in Chile and with similar dimensions, and was also similar in the way that it was zoned for contemporary living.

Both houses were modified by locally manufactured materials and components. Breuer’s house reflected the exuberance of postwar optimism in America as a model for middle-income dwelling.

The Ludwig Mies van der Rohe’s Farnsworth House and Philip Johnson’s Glass House more than any other mid century modern house expressed the most known features of the American house: horizontality and spaces flowing into each others.

The Farnsworth House brings to a domestic level what van der Rohe already did with the Illinois Institute of Technology.

lt was unlike any conceived before it, consisting of a minimalist rectangular box enclosed by a floating roof slab and a floor slab suspended 1,5 m above the ground, both supported by eight steel H-columns.

The walls were of large panes of glass. ln plan it measured 8.6 m x 23.7 m.

The patio is on the west side and as big as the whole house. The one space plan interior is only divided by the kitchen-bathroom-fireplace core and a set of closets that screen the sleeping area.

The perfect integration of the house with the landscape, its lightness and sense of open made the Farnsworth house unique in the mid century modern as in the contemporary architectural scene.

Built before the Farnsworth House was completed but clearly indebted to its design was Philip Johnson’s Glass House (1949) in New Canaan, Connecticut.

Sitting on a low brick podium, it held a single space that was symmetrically contained by columns at the corners, centers and entrances of each of its four sides.

The interior itself was defined asymmetrically by free-standing cabinets and a cylindrical bathroom core, an arrangement that, according to Johnson in his Writings, was inspired by a Malevich painting.

According to Mies’ biographer Franz Schulze, “Mies disdained the house not simply because it was an imitation but because he considered it poorly detailed as well.”

Some years later, during a visit to the house, Mies and Johnson argue about it and other architectural matters, and their rift never healed.

As Schulze observed, it was probably for the best that Johnson left the shadow of the Master when he did, and went on to become one of America’s most influential architects.

However, as examples of perfect dwellings both the Farnsworth and Johnson houses failed.

They both allowed only poor climatic control, were expensive to build, and designed as pieces of art; not really attractive for the majority of people.

Despite this, the two houses became international icons of the mid century modern architecture and extraordinary successful.

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Mid Century Bathroom Vanity

Mid Century Bathroom Vanity. Aside from the IKEA kitchen cabinet’s well-know quality, they exists in prevailing styles. They have dampers that minimize complications which ensure it closes slowly and smoothly.

Typically, an IKEA kitchen cabinet is fully extending which allows you to have an easy overview. Its smooth finish and hard wearing wood, coated with melamine makes them scratch proof. Because of their exterior, is a damp cloth and a mild cleaner will do for you to clean it up.

IKEA kitchen cabinet has adjustable legs, made to stand securely in any surface and they are also very easy to move.

Majority of the kitchen cabinets you encounter are made up of wood. Some style of IKEA kitchen cabinet has glass-door wall cabinet with an adjustable shelf and a tempered glass. By tempered, it means having particular components combined in a balanced and suitable proportion.

IKEA kitchen cabinet can be bought separately and has a lot of different themes. From the base cabinet, countertop and top shelves, IKEA make constructing your kitchen in your preference.

With the IKEA’s intention of making every kitchen cabinet useful, there are alongside critics that go with the IKEA’s kitchen cabinet constructions.

From the composite material specification, larger cabinet’s weight causes the loosening of the hinge screws, making the door to hang down. And stock legs needs more support if countertops are heavier than usual such as granite or similar materials.

Diverse kitchen dimensions do not work with some stock modular sizes of these cabinets. You will be needing an IKEA installer experts to solve this conflict.

IKEA kitchen cabinets have different styles and themes to choose. You can utilize their kitchen planning tool to give you the idea of what will be your kitchen look like at the end of your selection.

IKEA kitchen cabinet provides people a great value. Like any other equipments or furnishings, the company looks after every disadvantage the furniture may have, by means of their warranty coverage in any value.

As any realtor will tell you, bathroom renovations provide some of the highest return on investment of any improvements you can make to your home. And nothing makes a statement in your bathroom like the bathroom vanity and sinks.

The standard old porcelain pedestal sink has given way to cabinets and furniture-style wood bathroom vanities. Wood bathroom vanities are available in almost any style from traditional to contemporary and everything in-between.

If you’re shopping for a wood bathroom vanity, there are a number of factors to consider:


Consider the style of your home. Is it traditional? Contemporary? Mid-century? If traditional, is it colonial? French Regency? English Tudor?

Whatever your style, remember that the bathroom is an extension of your living space and should reflect a style consistent with the rest of your home. Wood bathroom vanities can resemble antique French commodes, or Shaker chests of drawers, even Colonial cabinets. Or with a little creativity and clever carpentry, you can have a piece of furniture adapted as a bathroom vanity.


How is the vanity going to be used? Will it be in a master bathroom? A busy family bathroom? Or a guest bath or powder room? This will limit your choices as some more elaborate vanities might be easily damaged from frequent use by a busy family with children. Family and master bathrooms benefit from vanities that contain a lot of storage while a powder room can get away with something simple and minimalist with little to no storage.

Bathroom Vanity Sinks

One bowl or two? Under-counter or surface mount? How about a vessel sink? Master bathrooms, whenever possible, should have a double-vanity while powder rooms typically have a smaller bowl. Specialty vessel sinks that sit on top of the counter like a free-standing bowl are beautiful, but may be impractical for heavy daily use as they require extra care in cleaning to look their best. The type of sink you want will narrow your choices of vanities.


Wood bathroom vanities that resemble a four-legged table with open shelving underneath look clean and simple, but don’t provide a lot of storage. If you’ve got bottles and brushes and hair dryers to stow away, consider a bathroom vanity with closed cabinets and drawers.

So if you’re shopping for wood bathroom vanities and are bewildered by all the choices, review all your needs first, from style to function.

Over the centuries the vanity table has been made in a wide variety of styles by master craftsmen and have complimented the era from which they came. In this article we will look at a number of different styles that seem to have stood the test of time, where vanity tables are concerned.

The Victorian vanity tables were quite elaborate and came with intricate detailing. Often early American vanity tables might have been made from mahogany and had curved cabriole legs whilst others would have been made from solid walnut with claw feet.

During the Arts and Crafts movement of the early 1900’s the “mission oak” vanity table was created with straight lines. But as the 1920’s progressed and sound was added to movies the vanity table became a focal point in bedrooms and some were known as Hollywood vanities.

But not even the Depression era could stop the production of the vanity table and by the mid 1920’s the use of both mahogany and walnut veneers were becoming prominent. Such vanity tables during the 1920’s and through to the 1940’s were often covered in elaborate veneers. The designs around were known as the v-matched quarter sliced oriental wood, quarter sliced zebra wood, v-matched striped walnut or the bird’s eye maple to name but a few of the veneers being used.

However a design that came to prominence during the 1930’s was the Waterfall Furniture Collection which came with smooth rounded edges and the tables had large round mirrors (some even had electric lights inserted under the mirror). Plus there were the Art Moderne metal dressing tables also gaining popularity which were streamlined and had artificial wood graining. But by the late 1940’s and early 1950’s the vanity table was being made from selected hardwoods. This gave a simpler easier look to the table’s appearance and many came with a center drawer as well as additional drawers down each side.

But even today the appeal of the vanity table has shifted now towards the many delightful accessories that are needed by women for their beautification. So really no vanity table can be complete without a few of them such as vintage perfume bottles or a beautiful porcelain talcum shaker to complete the look.

Article Source: http://EzineArticles.com/452766